Albums, Music, The Revue — March 30, 2017 at 5:30 am

Spoon – ‘Hot Thoughts’ (album review)

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There has been a trend among indie-rockers of using rainbow colors to signal youthful optimism and blissful psychedelic confusion. So maybe to new fans, the cover of Spoon’s new album might look like something synthy, fun, and perky. But the moment you dive into the multi-chrome skull, you realize you’re listening to the kings of lean, sinewy pop-rock. Any of the high school theater antics of their younger descendants are stripped off with paint thinner and chased away by frontman Britt Daniel.

Hot Thoughts is a well thought-out album with a few new ingredients to differentiate it from previous albums and place it perfectly into the band’s evolution. Produced by indie-rock legend Dave Fridmann (described by MOJO Magazine as “The Phil Spector of the alt-rock era”) who also produced the band’s previous album, They Want My Soul, elements of which are all over Hot Thoughts. There are moments where Daniel’s voice sounds positively gentle in a way I can’t remember ever hearing.

The album is structured so that “classic” Spoon songs are woven around a few real outliers. The title track starts off the album with a disco feel, pretty consistent with the direction Spoon had been taking. A little bit more keyboards than had been typical through the middle of the band’s career, but the same gritty, sneering vocal style and aggressive, minimal guitar.

But the second track, “WhisperI’lllistentohearit”, introduces a slightly different version of Britt Daniel and Jim Eno, with a lead vocal that’s comparatively soaked in delay and drums that sound live and wild, less like the gated, tight drums of They Want My Soul. For that album, they took inspiration in part from Dr. Dre’s 2001; this one sounds more like they’ve taken some cues from Bruce Springsteen’s Nebraska and Born In The USA. There’s a moment in the middle of “WhisperI’lllistentohearit” where Daniel’s voice takes on a breathy falsetto in a brand new way.

The alternation holds true through the album with the strangely ethereal Pink Up” as one of my surprise favorites. With a long, quiet introduction and a slew of reversed vocals in the middle, it sounds very un-Spoon-like in its composition even though the attitude (and even the hard-to-understand title) is vintage Spoon.

Spoon don’t need to reinvent pop music, nor do they want to. But they will never deny their aim to succeed. That’s what’s driven them through label disputes and lineup changes and moves across the country. For this album, it feels like Spoon took what was rightfully theirs with a massive subliminal marketing campaign around single “Can I Sit Next To You”, which they placed as background music for Jimmy Kimmel and Stephen Colbert’s shows as well as boarding music for American Airlines, which I think is possibly more incredible than any of the music on the album. But, again, for Spoon, that isn’t an insult.

Spoon are firmly in their stride right now, taking small liberties while simultaneously digging deeper into their now 25-year groove. When Britt Daniel sings on “I took time off of my kingdom” on Hot Thoughts, it seems tongue in-cheek. Daniel knows he has a kingdom, and on this album he shows he is in complete control. The vacation is over.

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