Fontaines D.C. – ‘Skinty Fia’ (album review)
Fontaines D.C.’s ambitious, bold, and outstanding third album, ‘Skinty Fia’, showcases a band whose ceiling is limitless. It’s intelligently political […]
Dahlia Sleeps – ‘Overflow’ (album review)
Dahlia Sleeps’ tremendous debut album, ‘Overflow’, reflects the London-based duo’s ethereal purity, which exists in their immersive trip-hop and contemplative […]
Lucy Kruger & The Lost Boys – ‘Teen Tapes (For Performing Your Own Stunts)’ (album review)
Lost in a memory and a thought, Lucy Kruger & The Lost Boys share an engrossing tale of love, obsession, […]
The Clockworks – ‘The Clockworks’ (EP review)
Even before The Clockworks had released a debut album of any length (LP or EP), they had sold out venues across […]
Guerilla Toss – ‘Famously Alive’ (album review)
Guerilla Toss’ fifth album, ‘Famously Alive’, is a lively, fresh, and invigorating piece of post-pop output that sees the trio […]
Kindsight – ‘Swedish Punk’ (album review)
Like the soundtrack to a great coming-of-age film, Danish indie outfit Kindsight implore us to move beyond the past and […]
Bellows – ‘Next of Kin’ (album review)
Next of Kin by Bellows Bellows has been among one of the most underappreciated bands of the last decade. With […]
Widowspeak – ‘The Jacket’ (album review)
Few bands are able to turn melancholy into widescreen dazzlement, yet Molly Hamilton and Robert Earl Thomas – a.k.a. Widowspeak […]
Bambara – ‘Love on My Mind’ (EP review)
Brooklyn-based post-punk trio, Bambara, return to deliver a work of art like no other with their new EP, ‘Love on […]
Sasami – ‘Squeeze’ (album review)
In carving out her own niche, SASAMI Ashworth leaves a permanent scar on her unpredictable, audacious, and incomparable sophomore album, […]
Night Shop – ‘Forever Night’ (album review)
Filled with the energy of America’s great cities and the contemplative nature of its seemingly endless Midwest Plains, Justin Sullivan’s […]
Dropper – ‘Don’t Talk To Me’ (album review)
Channeling NYC’s indie history, feisty little band in Dropper could launch a new generation of DIY legends with their rollicking […]
Big Thief – ‘Dragon New Warm Mountain I Believe In You’ (album review)
For twenty songs, Big Thief enchant listeners with their most ambitious, and most intimate, record yet with ‘Dragon New Warm […]
Mitski – ‘Laurel Hell’ (album review)
Returning from her hiatus, Mitski releases what may be her most honest record yet in ‘Laurel Hell’, which addresses the […]
Black Country, New Road – ‘Ants From Up There’ (album review)
Black Country, New Road’s sophomore album, ‘Ants From Up There’, is an astonishingly rich and emotional ride of soaring orchestral […]
Ghostly Kisses – ‘Heaven, Wait’ (album review)
Margaux Sauvé’s long-awaited debut album as Ghostly Kisses, ‘Heaven, Wait’, validates her as one of music’s most engrossing and spellbinding […]
Holm – ‘Why Don’t You Dance’ (album review)
Mikkel Holm-Silkjær – a.k.a. Holm – wades through life’s constant contradictions on his raw, emotive, and insightful debut album, ‘Why […]
Thyla – ‘Thyla’ (album review)
Brighton-based trio Thyla live up to their promise as an anthemic, cathartic, and personal band on their soaring self-titled debut […]
Silverbacks – ‘Archive Material’ (album review)
Dublin quintet Silverbacks smartly and amusingly chronicle life’s uncertainties of the past three years on their sophomore album, ‘Archive Material’. […]
Most Anticipated Albums of 2022
No matter the year nor how difficult the times are, one thing remains consistently great – the music. So what […]